The Castle

The Canadian Museum of Nature was a popular spot on Canada Day, and it was my second stop of the day. I approached from the west, where the glass lantern can be seen contrasting with the architecture of the rest of the building. At the moment, a jellyfish sculpture is hanging inside.

The architecture here is a marvel, inside and out. Galleries are organized by theme, with a new gallery on the fourth floor as well as a gallery for special exhibits. The galleries on lower floors are dedicated to rocks and minerals, water, birds, mammals, and fossils.

When visiting, I usually work my way from the top floor down. This view is from within the glass lantern, which was added in renovations that were completed in 2010 when Queen Elizabeth was here to re-dedicate the building. It replaces an original stone tower that was once here- the architect, David Ewart, ran into a problem with the soil beneath the tower that required the removal of the bulk of it.  Today the glass is a good contrast to the beauty of the rest of the building, offering good views out into the city. It has officially been named the Queens Lantern, honouring both Queen Elizabeth and her great-great-grandmother Queen Victoria, for whom the museum was first built as a memorial.

This is a hint of what I'll be showing you tomorrow. It's that new gallery space I was mentioning. 

Fallen Of War

As I am in the midst of this series, have a look at my writer's blog today, where I have a post on the ongoing series of embassy events here called Ottawa Welcomes The World.

Here are more views within Lebreton Gallery at the Canadian War Museum. Some of the heavy vehicles allow for views inside, so you can see just how cramped they can be. I have been inside some of the current equipment at a military race weekend held here in the fall- these are still not built for comfort!

Heading up from the gallery back towards the main lobby, the walls have large war art paintings mounted for viewing. That also includes nose cone art, which tended to be quite popular during the Second World War.

There was another painting hanging in a spot that I noticed when I arrived. The Flag was painted in 1918 by John Byam Liston Shaw. It was first exhibited to Canadians in 1919, and resonated strongly with families who had lost sons, brothers, husbands, or fathers during the First World War. Grief is conveyed in different ways among the onlookers, while the fallen soldier, Red Ensign, and lion sculpture represent the country and empire for which so much blood was shed. Viewing this painting, I was quite impressed with its heartbreaking power and poignancy.

Museum Views

While in the Normandy section of the World War Two exhibit area, it is possible to walk out onto a balcony that overlooks Lebreton Gallery below. This space is filled with vehicles and equipment, not just from the Canadian military, but from around the world.

After finishing with the permanent collection, I came down into Regeneration Hall. Walter Allward's preliminary sculptures for the Vimy Ridge Memorial are down here. This time they were arranged differently, since several of them are over in the temporary exhibit at the moment.

Regeneration Hall leads into Lebreton Gallery, where among other things, you can find a one man submarine as you see in the foreground of this first shot. I have more from here tomorrow.

War And History

The permanent galleries in the Canadian War Museum begin in the earliest times with conflict between First Nations peoples, moving into European contact and Canadian involvement in global conflicts as time goes on. I've been through the galleries on numerous occasions, so this visit was more of a walk through. The first two shots deal with the period of the French and Indian War, with flags greeting the visitor, and a model of the battlefield at the Fields Of Abraham outside Quebec City, where the war came to a zenith. Lines of British and French regulars, as well as militia and First Nations allies, can be made out along the contours of the model, and the display panels below the model explain what went wrong and right during the battle.

This British uniform dates back to the period of the American Revolution, which, aside from ending up seeing a lot of Loyalists move into Canada after the fact, impacted us personally- Richard Montgomery and Benedict Arnold (yes, that Arnold) launched a failed invasion into Quebec.

Tensions on both sides of the border defined the era, and led into the War of 1812, which is examined in this area. These weapons and tools are in a display case.

Moving ahead in time to the Second World War, I paused to try a navy cap on in a spot that simulates being out at sea. As usual, the hat doesn't fit my bloody big skull.

This portrait is by a Flight Lieutenant, Robert Stewart Hyndman, dating to the end of the war. Sergeant M.E. Boreham, The British Empire Medal depicts Myrtle Eileen Boreham, a Canadian who joined the RCAF in 1941 and served at headquarters in London through the war. She was given the medal for her devotion to duty in 1944. 

Close by, in an area that concentrates on the Italian campaign, are panels and mementos of the Devil's Brigade, the joint U.S.-Canadian group of special operators.

D-Day and the Normandy campaign get quite a lot of attention in this area of the museum, and here is some of the equipment from the campaign.

Commemoration

A reminder to members of City Daily Photo: the theme day for August is Young At Heart. And some notes to readers in the Ottawa area or paying a visit sometime over the summer or early fall. First, Fortissimo is happening this week from Thursday to Saturday in the evening on Parliament Hill. Second, the event La Machine will be taking place downtown from July 27th-30th. Third, the Kontinuum multimedia light show is underway until mid-September, occupying an LRT station beneath the downtown core. And finally, MosiaCanada has taken over Jacques Cartier Park in Gatineau as of the end of June, and will be running until mid-October. I have already taken in that last event, and photos will be forthcoming. I plan on one or two more visits there.

A good sized model of the Vimy Ridge Memorial was a centerpiece for this exhibit at the War Museum.   It is interesting to see Walter Allward's masterpiece from different perspectives.

This collection of paintings could be found on a nearby wall. The central figure is Arthur Currie, a senior commanding general of the Canadian forces during the war.

I finish off with two more of Allward's Vimy sculptures, quite dramatic against dark backgrounds like this. Tomorrow I'll show you some of the permanent collection in the museum.