Holocaust

At the end of September, I stopped in at the Canadian War Museum for lunch, and after leaving passed by the National Holocaust Monument, which lies across the road. It had been awhile since I had last paid my respects, so I went inside from the east entrance. The Monument is a collaborative work, designed by Daniel Libeskind, with contributions including landscape architecture and historian consultation. It is a solemn place, reflecting on the darkest chapter of World War Two.

Within is also the work of Canadian photographer Edward Burtynsky, who photographed Holocaust locations in the current era, with his work etched onto the walls. Two of them are side by side. Prayer Room, Theresienstadt, Czech Republic and Hiding Place, Warsaw Jewish Cemetery, Poland speak to the enduring defiance of survivors of the Holocaust.

There is an antechamber with a memorial flame.

Here we have Abandoned Railbed, Treblinka, Poland. Nearly a million people were put to death in that place.

Track 17, Berlin, Germany was the starting point for many trains heading to the death camps.

This is particularly affecting. Fence, Auschwitz-Birkenau shows the death camp as it is in the current day. 

Across from it is another haunting one. Site Of Death March, Near Mauthausen, Austria stirs up memories of the end of the war, when the Nazis force marched prisoners back towards areas still under German control. At this place, prisoners who couldn't keep up were shot and left to die in the ditches.

Looking into the Monument from the west entrance. We have more from here tomorrow.

Biodiversity

 Staircases lead from one level of the NAC to the next, and in the core of these staircases hang these chandelier installations which are quite eye catching.

A wooden tree was placed in a lobby area nearby, by a local artist. The Ottawa 200 Biodiversity Tree features two hundred species, past and present, in the Ottawa Valley. Ben LaChapelle is the artist. I found it fascinating.

It was time to go. It had been a long day, and I was not up to doing the dusk to dawn circuit of Nuit Blanche. I departed the NAC. This is part of the 2017 additions, a glass tower that includes circuitry to project images on the glass.

I crossed the street, taking another look back. It had been quite a day.

NAC Sightings

 Continuing where I left off in this visit to the National Arts Centre during the Ottawa Bicentennial celebrations, this shirt and skirt date to 1984. At the time, k.d. lang was participating in the Edmonton Folk Festival.

Two works of art exhibited together, both by First Nations artists- a painting and a canoe. Frank Polson painted Anishnabek Traditional Territory in 2020, commissioned by the NAC. Pinock is an Anishinaabe Algonquin who specializes in making canoes in the traditional fashion. This one dates to 2019.

Nearby, an informal stage area, lit dimly at first, with music shortly to come, and dancers off to the right. The audience was waiting.

This area is part of the 2017 additions. This large staircase has always caught my eye.

For today, I finish with this. The late Canadian classical pianist Glenn Gould owned this piano, and it was willed to the NAC. It is kept here, still in tune, and occasionally played in performance.

The Landmarks

 As I'd said, I knew that I wouldn't be able to see everything at this bicentennial party, but I wanted to make one more stop, seeing as how the establishment was very visibly taking part in the festivities. I crossed the Rideau Canal via the Mackenzie King Bridge, taking two shots looking north towards Plaza Bridge, where this series started. Landmarks include the National Arts Centre and Parliament Hill at left, and the Chateau Laurier and Government Conference Centre at right. It looked like an official party was departing the NAC.

I headed onto the terrace at the NAC, since that was my destination, and took this photo across the Canal of the Ottawa Convention Centre. Its architecture has always appealed to me.

A look to the left gives us the Chateau and the Conference Centre. Both date to 1912, and the latter started its life as a train station linked to the hotel. These days it hosts the Senate while work on Parliament Hill continues.

Another shot, looking at the NAC. Sections of glass-dominated additions were added on and opened up for 2017, creating more space and off-setting the Brutalist architecture.

I photographed a section of art when I entered the building. A Given Number Of Owls is a 1972 work by Jack Shadbolt.

This is a portion of a large door within the NAC. Beyond it is a large room used for multiple purposes. I once donated blood in that room. I've always liked this door. It feels like something out of science fiction, like Blade Runner.

The NAC hosts classical music, pop and jazz concerts, and theatre, and is a national institution. It's also very much part of the city, and was busy being part of the city's bicentennial party.

There was a display on the Canadian singer k.d. lang, who has become very much an icon over the years while remaining distinctly herself.

Several display cases included some of her clothing. This design is the Nudie Suit.

And this is her Honky Tonk Angels' Medley jacket, dating to a 1988 performance.